fraudulant paintings — part iii — the king

pencil and oil pastel on paper, 170 x 150 mm 2014

pencil and oil pastel on paper, 170 x 150 mm 2014

 

our perspective on the material world; small though it is, we find importance in it. work hard to study it’s significance. our rule and our solace

and prisons, structures zig-zagging across the landscape forming blocks and framing routine.

 

briefly i was contemplating the fate of the ‘elgin’ marbles, i would not say that i have a problem with them being returned likewise i figure that i would be just as happy with them remaining. plus i could draw them. my thought was a thought on the way empires regard the empires preceding them.

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