centre v

graphite in sketchbook, A4, 2015.

graphite in sketchbook, A4, 2015.

plum

gesso, oil paste,l & graphite on digital print, 210 x 180 mm, 2015

oil pastel & graphite on digital print, 210 x 180 mm, 2015

centre iv

patterns

People want to see patterns in the world. It is how we evolved. We descended from those primates who were best at spotting the telltale pattern of a predator in the forest, or of food in the savannah. So important is this skill that we apply it everywhere, warranted or not.

Benoit Mandelbrot. The (Mis)Behavior of Markets (wikiquote)

centre iii

graphite and watercolour in sketchbook, A4, 2014,

graphite and watercolour in sketchbook, A4, 2014,

clear

home made paint on paper, a3, 2015

home made paint on paper, a3, 2015

soup

I collaborated on the script [of Cella s’apelle l’aurore] with Jean Ferry, who was very close to the surrealists. Among our frequent arguments was one in particular about a “magnificent” love scene Jean had written which was in fact three pages of terrible dialogue. I cut it, and substituted a […] scene in which Marchal enters, drops exhausted into a chair, takes off his socks, watches Lucia Bose serve him his soup, and then gives her a little turtle as a present. Ferry was quite miffed… [objecting to] …the socks, the soup, the turtle, and the dialogue…

Luis Bunuel my last breath.

Sketching Potatoes

Oil pastel on paper, 210 x 297 mm, 2015

Oil pastel on paper, 210 x 297 mm, 2015

circles

gesso & pencil on digital print, 210 x 297 mm, 2015

gesso & pencil on digital print, 210 x 297 mm, 2015

http://www.camopenstudios.co.uk/open-studios/765

centre ii

home made paint on paper, a4, 2015

home made paint on paper, a4, 2015

Follow

Get every new post delivered to your Inbox.

Join 301 other followers